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Full statisticschevron_right📆 Release: January 9, 2026
🎭 Genre: #Horror · #DarkComedy
Johannes Roberts (47 Meters Down, The Strangers: Prey at Night) directs this story about a group of friends enjoying a tropical getaway—until their family pet, a chimp named Ben, goes berserk after being bitten by something mysterious. What follows is ninety minutes of chaos, screams, and blood under the Hawaiian sun. ☀️
The trailer leans into the same absurd horror vibe that made M3GAN a hit and clearly nods to the chimp scene from Nope. The blend of terror and comedy is so shameless you’re never sure whether to laugh or hide behind your hands.
A brutal warning about human arrogance in trying to tame the wild… yet also proof that watching a monkey unlock a car with a key fob can be terrifyingly fun. 🧠💀
📆 Release: January 30, 2026
🎭 Genre: #Horror · #DarkComedy · #PsychologicalThriller
✈️ Follow movie
Sam Raimi —the mastermind behind The Evil Dead and the original Spider-Man trilogy— returns to his wildest roots with Send Help, his first non-franchise horror film since Drag Me to Hell. Rachel McAdams (Spotlight, Mean Girls) stars as Linda, an underappreciated employee stranded on an island with her boss from hell, Bradley (Dylan O’Brien, The Maze Runner), after surviving a plane crash. What begins as a survival story quickly turns into a darkly funny, blood-soaked power struggle for dominance.
What fascinates me most is how Raimi flips the hierarchy: the underdog becomes the predator 💪. Many are calling it a mix between Misery, Cast Away, and Triangle of Sadness —but with Raimi’s signature flair: grotesque, frantic, and wickedly fun. McAdams promises a full-on “Regina George in survival mode” performance, and that alone is worth the ticket. Raimi is back, and horror is groovy again.
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📆 Release: July 3, 2026
🎭 Genre: #Historical · #Drama · #Biopic
Angel Studios is getting ahead of the U.S. Semiquincentennial with a lavish production that aims to turn young George Washington into the new icon of cinematic patriotism. Directed by Jon Erwin (‘The Jesus Revolution’), the film portrays the future president —played by William Franklyn-Miller— in the midst of the French and Indian War, surrounded by gunpowder, mud, and choices that would shape a continent. 💥
The trailer promises epic scale, faith, and fiery speeches, but it smells more like ‘The Patriot’ than a history lesson. With Mary-Louise Parker, Kelsey Grammer, Andy Serkis, and Ben Kingsley rounding out the cast, the film is clearly aiming to repeat the box-office miracle of ‘Sound of Freedom’ —though many are already raising an eyebrow at the Angel Studios label: propaganda wrapped in glossy celluloid.
Personally, I’m curious to see how they’ll polish (or not) the image of a reckless, slave-owning Washington who helped ignite a war. It may end up being a patriotic version of Young Hercules, but I have to admit — the historical intrigue is definitely there. ⚔️
📆 Premiere: October 3, 2025 (Netflix)
🎭 Genre: #Drama · #ComingOfAge
What a delight to see Cillian Murphy in such a raw and fragile role after the whirlwind of Oppenheimer. Here, he reunites with Tim Mielants (Small Things Like These) to portray the headmaster of a reform school in the ’90s, a worn-out man fighting against the institution’s imminent closure while battling his own inner struggles. Opposite him, Jay Lycurgo (Last Swim) plays Shy, a teenager caught between the violence of his past and the uncertainty of his future.
Director Mielants really convinces here, having worked with the boys in intensive workshops so that their real lives would bleed into their characters. 🎬 The score by Ben Salisbury and Geoff Barrow promises that electrifying yet sensitive touch that always hooks me.
Behind its simple title lies a complex portrait of forgotten youth, education as refuge, and the power of not having to face life alone.
📆 Premiere: October 13, 2025
🎭 Genre: #Comedy · #Conspiracy
Tim Robinson, the mastermind behind I Think You Should Leave and Detroiters, is back with a show that feels like a sketch stretched to the max… but with the ambition of an HBO thriller. In The Chair Company, he plays William Ronald Trosper, an office worker who, after a humiliating disaster at work, finds himself unraveling a criminal conspiracy as absurd as it is unsettling. 🤯🪑
The trailer is packed with rapid-fire one-liners, cartoonish facial expressions, and Robinson’s trademark obsession with bleak middle-class workplaces where misery flips into dark comedy.
What I love most is how Robinson moves away from the usual “rich people intrigue” à la Succession and instead zeroes in on the mindset of the alienated office drone. That lens on the hopeless everyman feels as necessary as it is hilarious. If you ever thought a chair could be the center of the universe, this show is here to prove it. 🔥
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